Warning: Creating default object from empty value in /nfs/c02/h01/mnt/15037/domains/nightshadebooks.com/html/wp-content/themes/listings/functions/admin-hooks.php on line 160

Q&A with Gini Koch

Q: Tell us a little about yourself and your career as an author.

A: I’m a wife, mother, have dogs and cats (the Canine Death Squad and the Killer Kitties), ride horses, and up until a couple of years ago, I worked full time for Corporate America. I wrote for six years before I ever considered trying for publication, and it took four more years to get good enough to BE published. I landed a great agent in December 2007, got a 2-book deal with DAW Books in May 2008, and have been happily writing like mad ever since. I’m published in 6 pen names, so far, in short, mid-length, and novel-length fiction. I write the Alien/Katherine “Kitty” Katt series for DAW Books/Penguin, the Alexander Outland series for Night Shade Books, and a variety of shorter fiction series and stand alones for Musa Publishing.

 

Q: You have contracts with one of the majors in publishing (DAW Books/Penguin), a smaller house (Night Shade Books), and with an e-only publisher (Musa Publishing). What are the differences?

A: Because I have great editors at all three houses, I’d have to say that speed is probably the biggest difference between them. Ebooks, by their nature, can go up faster than anything else, and smaller presses have less layers to go through, so they tend to move more quickly than Big 6.  There are other differences (advances tend to be larger from the Big 6, for example), but I think speed to publication is the difference I notice the most.

 

Q: What’s it like to work with a NY publishing company?

A: Very cool. There are a lot of advantages to being with the Big 6, including worldwide distribution. There’s a lot of hurry up and wait involved, but you adjust to it. The pros tend to outweigh the cons. Plus I’m with DAW, which is just a fabulous imprint, run by amazing people who love books and authors, so it’s pretty much livin’ the dream when you’re with DAW, and then you add in all the cool Penguin folks and worldwide reach and, I’m not gonna lie, it’s pretty darned great.

 

Q: What are the reasons you think this is still the best way to publish?

A: In this day and age, coming out in favor of “traditional” publishing feels kind of risky. But you really can’t beat getting an experienced, professional editor, a big name cover artist, and a full sales force selling your book into bookstores all over the world. Traditional publishing means you have gatekeepers. Are they always right? Of course not. Are they right a lot? Absolutely. And the checks and balances of traditional publishing mean that you’ll have a professional product when you’re done, and that really does matter, especially when you’re starting out.

BTW, I consider my epublisher to be a traditional publisher, just as I do with my Big 6 and small press publisher. They do the same things — provide editing, cover art, promotion, support.” Read more at The Fictorian Era.